June 8-9, Vaudeville Cafe, Chattanooga, TN
June 16, The Star City Comedy Club, Roanoke, VA
August 8, Cherry Street Comedy Club, Galesburg, IL
August 10-11, Goonies Comedy Club, Rochester, MN
June 8-9, Vaudeville Cafe, Chattanooga, TN
June 16, The Star City Comedy Club, Roanoke, VA
August 8, Cherry Street Comedy Club, Galesburg, IL
August 10-11, Goonies Comedy Club, Rochester, MN
Will Ferrell is one of the funniest guys around.
Last week I opened for Marc Maron, the creator and host of the WTF Podcast. It was a thrill to work with someone that you look up to and listen to every week, but it also happened to be a weird and stressful week for me. Marc was great and he answered all the silly questions I had about comedy and his experiences as a comic. Whenever I work with someone I respect and look up to I tend to turn into a 13 year old girl seeing Justin Bieber for the first time. I tried to hold back my excitement, but still probably came off a bit weird. Either way, Marc was cool and even busted my balls, which I was happy about because in my mind that means he at least acknowledged that I existed. I learned so much about how much work I have in front of me if I ever want to be at the level he is as far as comedy and performance is concerned. I watched Marc crush night after night without being “jokey” and letting the audience in on his insecurities and his vulnerabilities. It was incredible to watch him work. It was both inspiring and depressing that he was so good. Seeing guys like him, Burr, and CK makes it feel like there is no way to reach that level of funny. I’ve been writing constantly and trying so hard to grow as a comic and I felt like I was making great strides until parts of this week.
I listen to the podcast every week and Marc talks about his issues with eating and I have been watching what I eat because I have my own issues with weight that I’ve struggled with for a long time. I don’t see how Marc survives. His fans brought him cakes, ice cream, and cookies all week. We sat in the green room just shoveling delicious snacks in our face holes and then went out to eat after the shows so we could shovel more greasy shit food down our throats. I did have a hilarious moment when we went out to eat one night. Marc and I were standing outside of a restaurant when a homeless man came up to us singing Rihanna’s “S&M.” ”Cause I may be bad, but I’m perfectly good at it.” He sang out of tune and even added his own words. I looked at Marc and said, “Welcome to Louisville.” So the good part is that no matter how a show went, I could go backstage and eat some cake and ice cream to drown my sorrows.
I gotta be honest, the shows did not go well for me for some reason. I think I put too much pressure on myself to have really good shows in front of Marc Maron. I told myself before the first night to not have any expectations about the shows and just relax and do what I do. I knew I had no chance of being invited to be on the podcast, but somehow in the back of my mind I had that fantasy where he sees me kill and is impressed to the point where he invites me on the podcast and takes me on the road. I think every comic in my position has that fantasy, although it probably is a unhealthy thought because you end up setting the bar to a level that won’t be reached. So even knowing that I didn’t have a chance, I still wanted to crush all week. Crushing at the Improv is something I’ve done many times and wasn’t a concern for me until the Maron week actually started. It would be easy to blame the audience, but I just can’t do that. Something was off all week. I didn’t bomb every night, but they weren’t shows that I felt proud of. There was a night where I literally ended up talking to myself in front of Marc about how bad I was without realizing he was sitting there. Before you think I completely ate shit all week, know that I did have good shows and I had one of the most interesting nights of my life on Friday night. On a single show I ruined one relationship and started a new family. It was amazing. When I was onstage, there were some loud people so I called them out and told them to be quiet and a woman was going to yell back at me and her boyfriend told her stop. At the point, she lost her fucking mind and she started yelling at him. At one point she accused him of cheating, called him from the bathroom, and cried during Ryan Singer’s set. What’s funny is that while she was crying, her boyfriend sat and ate nachos. They went head to head and fought with each other to the point that the people they came with got pissed off and eventually told them to leave. That’s sad when your friends tell you to leave because you’re an asshole. I felt so proud that I ruined that relationship because they were being assholes during my set. In my defense, the relationship must not have been that strong if I destroyed it. At the end of that same show, I facilitated a proposal. A guy got up onstage and proposed to his girlfriend and I had to be in the middle of it and guide him through the process. I was more nervous about doing that than I was telling jokes in front of people who clearly didn’t like me that much. The proposal worked out and the woman said yes. So in one night, I completed the circle of life.
After a show where I didn’t feel like I did that great, Marc did make me feel comfortable when he really didn’t have to. At one point, he looked at me and said, “Don’t be so hard of yourself.” and then joked about I wasn’t funny. I asked for his advice about growing and becoming a comic that isn’t so worried about going for the kill every night and I told him I was trying really hard to get to that point and he looked at me and said, “Sometimes it doesn’t work.” In one sentence, he shit on my set, mad me laugh, and gave me perfect advice. I felt like Marc liked me and the fact that I was even concerned about that is kind of sad, but I really wanted to prove myself as a comic to him. I think every comic feels that way. That’s why we became comics because we have something wrong with us and have a need to constantly prove ourselves to strangers. I did feel instantly comfortable with him, but it’s weird because I listen to him every week so I felt like I knew him and I’ve hadn’t met him before the week. It must be odd for him to have so many people who think they know you already based solely on the podcast. He was friendly and hilarious to talk to. So even though we had conversations and he seemed engaged, I still had moments where I wasn’t sure though. Whenever he talks to people he respects on the podcast, you can tell by his excitement and voice. I over analyzed every inflection in his voice and his tone and a part of me was like, “he didn’t sound like he really cared that much about that story I just told.” The other thing I had to keep in mind is that he’s a very successful comic and I’m sure he gets asked questions constantly and I’m sure people are always asking things of him and I didn’t want to be that guy. I didn’t want to over step any boundaries and ask for things. All in all, it was an amazing experience being that close and learning from one of my favorite comedians. Seriously, if you haven’t already, listen to the WTF Podcast. Check out his cd “This Has to be Funny” on Itunes. There will probably be a part 2 to this post so stay tuned.
Part of being a comedian includes writing jokes. Every comic has a different voice and a different view on the world and a different way to convey these messages. I generally like to sit down and physically write jokes and continue to create content to develop as a performer and as a person. My goal is to also write for tv, which includes late night talk shows, and in order to do that you have to be able to write at least 75-100 or more jokes per day on strictly topical material that is clean and in the voice of the host. So today, I challenged myself to write 75 jokes based on news and articles I read. It’s 2:30 and I have zero, yep zero, jokes written. I have clusters of ideas and different topics but for whatever reason the punchline part of my brain has decided to stop working. it could be that I’m adding too much pressure on myself and I just need to relax or it could be that the goal is so overwhelming that the magnitude of it frightens me. Whatever it is, it’s important to break through and just write. One thing that I have found when writing is to not censor and just let the jokes flow regardless if they’re funny or not. So with these 75, the idea should be just to write 75 regardless if they are any good or not. I’m a perfectionist and I like to get things done right the first time which does not bode well for comedy because the very nature of comedy is trial and error.
There is the debate among many comics as to the proper writing habits. There really is no right way to do it. Some people set aside a time to write and others just let the jokes come to them. I need to be more strict about how much I write and when I write. I want to have a set schedule for writing everyday and get out as many ideas as I can. I think that is a smart way to write, especially if you want to write for tv which has quotas of jokes that need to be met. Seinfeld wrote everyday and treated writing like a job, regardless whether he wanted to or not. I’m not a huge Seinfeld fan, but the guy is good and knows exactly what he’s doing. Also, he’s rich. Other people are different. Louis CK once told me that he doesn’t write anything down and just riffs until something comes out. His advice to me was, “Fail, and fail alot.” There again we run into trial and error. I think the best way to write is to not judge anything that comes out because most of what comes out will be shit anyway and will never see the stage, but at least it’s writing something. The metaphor for writing that’s been used over and over to a cliched level is that writing is like working out. The problem is that it’s true. I hate working out and yet I do it everyday and I make schedule time for it everyday. Over time I’ve gotten stronger and a little leaner (I still think I’m fat, but that’s a different story) as I’ve progressed. The same goes for writing. If I dedicate and schedule more time to writing and do it everyday, then you’ll notice patterns, develop an opinion and a voice, and over time, get better and better. The goal is then to create as much content as possible because we can’t be stagnant with the same shit for years. That might have worked 25 years ago, but there is so much content out there that in order to stay relevant, content must be created. I’m not saying pull a Louis CK and create a new hour every year, but create SOMETHING. This is my opinion on the matter. What do you think?
August 28th is my birthday and I got to spend this year performing at the Louisville Improv with two very funny comics, Ryan Stout and Nate Bargatze. Both of these guys are hilarious and really fun to hang out with. The Sunday show was our last show and it happened to be my birthday and since I have a microphone, everyone is going to celebrate it. The fine folks at the Improv made sure I celebrated my birthday in style and here’s a video of my birthday bash at the Louisville Improv. Oh, and I was also in a giving mood that night as well. Before the show started, I ran into a guy who has the same birthday and he had no idea I was a comic, so at the end of the show I gave him a present as well. To all my friends at the Louisville Improv, thank you for making me feel special and celebrating my birthday with me. Enjoy.
Hilarious Video from FunnyorDie